Quick post — Hugo finalists

Rosemary

The list of finalists for the Hugo Award is out.

Probably you already know this, since you’re an SF/F reader, you’re in the know, you’re connected, you’ve got your finger on the cultural pulse of America.  Right?  Sure.

But in case you missed it (or have wisely chosen to limit your screen-time in order to actually have time to accomplish real things in the real world, yet have chosen inexplicably to make  this blog of mine be sole contact with the SF/F world) — well, in that case, here you go:

 

Best Novel

  • All the Birds in the Sky, by Charlie Jane Anders (Tor Books / Titan Books)
  • A Closed and Common Orbit, by Becky Chambers (Hodder & Stoughton / Harper Voyager US)
  • Death’s End, by Cixin Liu, translated by Ken Liu (Tor Books / Head of Zeus)
  • Ninefox Gambit, by Yoon Ha Lee (Solaris Books)
  • The Obelisk Gate, by N. K. Jemisin (Orbit Books)
  • Too Like the Lightning, by Ada Palmer (Tor Books)

Best Novella

  • The Ballad of Black Tom, by Victor LaValle (Tor.com publishing)
  • The Dream-Quest of Vellitt Boe, by Kij Johnson (Tor.com publishing)
  • Every Heart a Doorway, by Seanan McGuire (Tor.com publishing)
  • Penric and the Shaman, by Lois McMaster Bujold (Spectrum Literary Agency)
  • A Taste of Honey, by Kai Ashante Wilson (Tor.com publishing)
  • This Census-Taker, by China Mieville (Del Rey / Picador)

Best Novelette

  • Alien Stripper Boned From Behind By The T-Rex, by Stix Hiscock (self-published)
  • “The Art of Space Travel”, by Nina Allan (Tor.com , July 2016)
  • “The Jewel and Her Lapidary”, by Fran Wilde (Tor.com, May 2016)
  • “The Tomato Thief”, by Ursula Vernon (Apex Magazine, January 2016)
  • “Touring with the Alien”, by Carolyn Ives Gilman (Clarkesworld Magazine, April 2016)
  • “You’ll Surely Drown Here If You Stay”, by Alyssa Wong (Uncanny Magazine, May 2016)

Best Short Story

  • “The City Born Great”, by N. K. Jemisin (Tor.com, September 2016)
  • “A Fist of Permutations in Lightning and Wildflowers”, by Alyssa Wong (Tor.com, March 2016)
  • “Our Talons Can Crush Galaxies”, by Brooke Bolander (Uncanny Magazine, November 2016)
  • “Seasons of Glass and Iron”, by Amal El-Mohtar (The Starlit Wood: New Fairy Tales, Saga Press)
  • “That Game We Played During the War”, by Carrie Vaughn (Tor.com, March 2016)
  • “An Unimaginable Light”, by John C. Wright (God, Robot, Castalia House)

Best Related Work

  • The Geek Feminist Revolution, by Kameron Hurley (Tor Books)
  • The Princess Diarist, by Carrie Fisher (Blue Rider Press)
  • Traveler of Worlds: Conversations with Robert Silverberg, by Robert Silverberg and Alvaro Zinos-Amaro (Fairwood)
  • The View From the Cheap Seats, by Neil Gaiman (William Morrow / Harper Collins)
  • The Women of Harry Potter posts, by Sarah Gailey (Tor.com)
  • Words Are My Matter: Writings About Life and Books, 2000-2016, by Ursula K. Le Guin (Small Beer)

Best Graphic Story

  • Black Panther, Volume 1: A Nation Under Our Feet, written by Ta-Nehisi Coates, illustrated by Brian Stelfreeze (Marvel)
  • Monstress, Volume 1: Awakening, written by Marjorie Liu, illustrated by Sana Takeda (Image)
  • Ms. Marvel, Volume 5: Super Famous, written by G. Willow Wilson, illustrated by Takeshi Miyazawa (Marvel)
  • Paper Girls, Volume 1, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image)
  • Saga, Volume 6, illustrated by Fiona Staples, written by Brian K. Vaughan, lettered by Fonografiks (Image)
  • The Vision, Volume 1: Little Worse Than A Man, written by Tom King, illustrated by Gabriel Hernandez Walta (Marvel)

Best Dramatic Presentation (Long Form)

  • Arrival, screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve (21 Laps Entertainment/FilmNation Entertainment/Lava Bear Films)
  • Deadpool, screenplay by Rhett Reese & Paul Wernick, directed by Tim Miller (Twentieth Century Fox Film Corporation/Marvel Entertainment/Kinberg Genre/The Donners’ Company/TSG Entertainment)
  • Ghostbusters, screenplay by Katie Dippold & Paul Feig, directed by Paul Feig (Columbia Pictures/LStar Capital/Village Roadshow Pictures/Pascal Pictures/Feigco Entertainment/Ghostcorps/The Montecito Picture Company)
  • Hidden Figures, screenplay by Allison Schroeder and Theodore Melfi, directed by Theodore Melfi (Fox 2000 Pictures/Chernin Entertainment/Levantine Films/TSG Entertainment)
  • Rogue One, screenplay by Chris Weitz and Tony Gilroy, directed by Gareth Edwards (Lucasfilm/Allison Shearmur Productions/Black Hangar Studios/Stereo D/Walt Disney Pictures)
  • Stranger Things, Season One, created by the Duffer Brothers (21 Laps Entertainment/Monkey Massacre)

Best Dramatic Presentation (Short Form)

  • Black Mirror: “San Junipero”, written by Charlie Brooker, directed by Owen Harris (House of Tomorrow)
  • Doctor Who: “The Return of Doctor Mysterio”, written by Steven Moffat, directed by Ed Bazalgette (BBC Cymru Wales)
  • The Expanse: “Leviathan Wakes”, written by Mark Fergus and Hawk Ostby, directed by Terry McDonough (SyFy)
  • Game of Thrones: “Battle of the Bastards”, written by David Benioff and D. B. Weiss, directed by Miguel Sapochnik (HBO)
  • Game of Thrones: “The Door”, written by David Benioff and D. B. Weiss, directed by Jack Bender (HBO)
  • Splendor & Misery, by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)

Best Editor – Short Form

  • John Joseph Adams
  • Neil Clarke
  • Ellen Datlow
  • Jonathan Strahan
  • Lynne M. Thomas & Michael Damian Thomas
  • Sheila Williams

Best Editor – Long Form

  • Vox Day
  • Sheila E. Gilbert
  • Liz Gorinsky
  • Devi Pillai
  • Miriam Weinberg
  • Navah Wolfe

Best Professional Artist

  • Galen Dara
  • Julie Dillon
  • Chris McGrath
  • Victo Ngai
  • John Picacio
  • Sana Takeda

John W. Campbell Award for Best New Writer

  • Sarah Gailey (1st year of eligibility)
  • J. Mulrooney (1st year of eligibility)
  • Malka Older (2nd year of eligibility)
  • Ada Palmer (1st year of eligibility)
  • Laurie Penny (2nd year of eligibility)
  • Kelly Robson (2nd year of eligibility)

 

Those are the “big” categories.   For the full list, head over to the official webiste of the Hugos, the  official website for Worldcon 2017,  or to the ever-informative-and-practically-indispensible Tor.com’s post.

But I’d like to draw your attention to a couple of things:

Ada Palmer is in the list both for Too Like the Lightning and for the John W. Campbell Award for best new writer.  How often, I wonder, has it happened that a writer snagged finalist in both of those awards?  Well, probably plenty of times.   I don’t follow the details that closely every year.  But I’m amazed.  I’ve met Ada, and had the pleasure of hanging out with her (and other cool SF/F people) last year before Worldcon —  and yes, she is rather an astonishing person. I’m thrilled that she’s doing so well, right out of the gate.  You should go to her website to see all the things she’s done and is doing.  (The next book in the series, Seven Surrenders has just been released.)

Also: Remember all the fuss with the Sad/Rabid Puppies and the Hugo award in the last few years?  Well, note that the Puppies have only the slightest presence in the list.   (No, I won’t link to a history of that mess.  If you’re not familiar with it, you are blessed.  Google it if you must.)  Also, the list this year seems to be full of exactly the sort of writers the Pups disparage.  So, hey, bonus!

Plus: Pretty sure that Stix Hiscock is a pseudonym.  I’m thinking it’s a pen-name of Chuck Tingle.  Because that would be amusing.   Alternate explanation: a pseudonym of some Puppy trying to cash in on Tingle’s demographic.

Coming soon: the actual blog post I was in the middle of when the Hugo finalist list was released.


2 Responses to “Quick post — Hugo finalists”

  • Subrata Sircar Says:

    While I’m sure it’s a pseudonym, there was a baseball player named Sterling Hitchcock whose first-initial-plus-last-name abbreviation was continually blocked on various websites because they thought it was obscene, so reality continues to be more varied than most people (including me!) would think.

    But really, we all want it that way. It would be depressing if reality were limited to even what the most fertile imaginations could conceive.

  • Ben Says:

    Really didn’t read much from the list, can’t even say many of them generate even a bit of interest. Kinda hoped for more.

    Ninefox Gambit was nice, in a weird way. Really creative setting anyway. I’m a bit dubious about potential sequels, though.
    The Jewel and Her Lapidary – wish it were a full novel.