Mona

Rosemary

With my sister away for the weekend, I thought this would be a good time to haul out her accordion and see if I could still play some music on it.

Verdict: I believe it would depend on your definition of the word “playing.” And possibly the word “music.”

Nevertheless, I do believe that Mona was glad to see me. And I’m of the opinion that if I could put in a little practice time, I could work up a passable version of, if not “Lady of Spain I Adore You,” at least “Delores Waltz”.

Mona

In a nice example of sheer synchronicity, Catherynne Valente wants to learn the accordion, and has acquired one.

This doesn’t actually surprise me… the accordion is a fantastical instrument, suitable for a fantastical author like Ms. Valente. It is weird, wonderful, half magic and half steampunk.

It is a musical instrument of mystery and romance, drenched in passion, and built on…

Built on…

Built on sheer geekery.

Seriously, folks. What did computer programmers do before there were computers to program?

They designed the accordion.

See that daunting array of buttons on the left?

Absolutely, completely, wonderfully logical. Each of those buttons is a solution. Collectively, they solve for the entire range of possible harmonic structure.

With an accordion, you can sound as if you have eight hands — or click a tab, and sound like a lonely clarinet, a lost calliope. Click again, and you’re an oom-pah band.

shiny sparkly serves the same purpose as the bumps on your F and J keys

And the bellows? The accordion breathes. If you breathe, you’re alive, and if you’re alive, you have passion.

Weep, scream, whisper. Stamp your feet and shout for joy.


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