Feb 23 2020

Nebs.

Rosemary

No, not a new snack food — it’s the 2019 Nebula Award finalists, the list of which was recently released.

I’m sure you follow all sorts of SF/F websites or social media accounts, so you’ve certainly seen this list already, right?

Well. Just in case you missed it, here it is:

Novel

Marque of Caine, Charles E. Gannon (Baen)
The Ten Thousand Doors of January, Alix E. Harrow (Redhook; Orbit UK)
A Memory Called Empire, Arkady Martine (Tor)
Gods of Jade and Shadow, Silvia Moreno-Garcia (Del Rey; Jo Fletcher)
Gideon the Ninth, Tamsyn Muir (Tor.com Publishing)
A Song for a New Day, Sarah Pinsker (Berkley)

Novella

“Anxiety Is the Dizziness of Freedom”, Ted Chiang (Exhalation)
The Haunting of Tram Car 015, P. Dj’l Clark (Tor.com Publishing)
This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone (Saga)
Her Silhouette, Drawn in Water, Vylar Kaftan (Tor.com Publishing)
The Deep, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes (Saga)
Catfish Lullaby, A.C. Wise (Broken Eye)

Novelette

“A Strange Uncertain Light”, G.V. Anderson (F&SF 7-8/19)
“For He Can Creep”, Siobhan Carroll (Tor.com 7/10/19)
“His Footsteps, Through Darkness and Light”, Mimi Mondal (Tor.com 1/23/19)
“The Blur in the Corner of Your Eye”, Sarah Pinsker (Uncanny 7-8/19)
Carpe Glitter, Cat Rambo (Meerkat)
“The Archronology of Love”, Caroline M. Yoachim (Lightspeed 4/19)

Short Story

“Give the Family My Love”, A.T. Greenblatt (Clarkesworld 2/19)
“The Dead, In Their Uncontrollable Power”, Karen Osborne (Uncanny 3-4/19)
“And Now His Lordship Is Laughing”, Shiv Ramdas (Strange Horizons 9/9/19)
“Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island”, Nibedita Sen (Nightmare 5/19)
“A Catalog of Storms”, Fran Wilde (Uncanny 1-2/19)
“How the Trick Is Done”, A.C. Wise (Uncanny 7-8/19)

The Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book

Sal and Gabi Break the Universe, Carlos Hernandez (Disney Hyperion)
Catfishing on CatNet, Naomi Kritzer (Tor Teen)
Dragon Pearl, Yoon Ha Lee (Disney Hyperion)
Peasprout Chen: Battle of Champions, Henry Lien (Holt)
Cog, Greg van Eekhout (Harper)
Riverland, Fran Wilde (Amulet)

Game Writing

Outer Wilds, Kelsey Beachum (Mobius Digital)
The Outer Worlds, Leonard Boyarsky, Megan Starks, Kate Dollarhyde, Chris L’Etoile (Obsidian Entertainment)
The Magician’s Workshop, Kate Heartfield (Choice of Games)
Disco Elysium, Robert Kurvitz (ZA/UM)
Fate Accessibility Toolkit, Elsa Sjunneson-Henry (Evil Hat Productions)

The Ray Bradbury Award for Outstanding Dramatic Presentation

Avengers: Endgame, Christopher Markus & Stephen McFeely (Marvel Studios)
Captain Marvel, Anna Boden & Ryan Fleck & Geneva Robertson-Dworet (Marvel Studios)
Good Omens: “Hard Times”, Neil Gaiman (Amazon Studios/BBC Studios)
The Mandalorian: “The Child”, Jon Favreau (Disney+)
Russian Doll: “The Way Out”,Allison Silverman and Leslye Headland (Netflix)
Watchmen: “A God Walks into Abar”, Jeff Jensen & Damon Lindelof (HBO)

 

I have, alas, read very view of the fiction entries.  One reason: when I’m trying intensively to write something of my own, it’s very difficult for me to immerse myself in someone else’s imagined world… And I’ve been trying pretty damn hard for most of this year.

On and off, that is.  So I have managed to read at least a couple of the items on the list.  Specifically:

 

This Is How You Lose the Time War by [El-Mohtar, Amal, Gladstone, Max]

This is How You Lose the Time War, by Max Gladstone and Amal El-Mohtar, which I dearly loved (as I mentioned previously), and

 

Exhalation: Stories by [Chiang, Ted]

“Anxiety Is the Dizziness of Freedom”,  from Ted Chiang’s collection, Exhalation. Chiang is a favorite of mine, and I generally root for him in any list.  But this time he’s right up against Gladstone and El-Mohtar in the novella category —  so I’m torn.

Of course, as a card-carrying SFWA member, I get to vote for the award, and there’s plenty of opportunity for me to catch up on (at least)  the shorter fiction before the deadline. Quite possibly one of the other finalists for novella will impress me even more!

But, looking through this list, I do notice an interesting trend: an outsized proportion of the nominees were published in either Tor.com or Uncanny magazine.

Tor.com is a website. You can read their fiction for free.

Uncanny has no physical existence, and is an ebook magazine subscription — but you can also read it for free on their website (if partly delayed so that subscribers see it all first).

That is such a very interesting phenomenon.

I gotta say: the first thing I did on realizing this was to hop over and subscribe to Uncanny.  Obviously, it’s where the cool kids are hanging out these days.

Speaking of cool kids hanging out:

The winsome Geary Gravel.

I had a lovely evening in Northampton MA, sharing dinner with fellow author Geary Gravel, at our favorite Indian restaurant.  Geary is himself neck-deep in projects, both enjoyable and frustrating…  I’ll say no more about which ones are which! Anyway, time spent with Geary is always delightful — in the way that talking with another writer who knows exactly what you’re going through and can offer a) insight, b) commiseration and/or c) righteous indignation can only be.  We writers spend an awful lot of time hunched over desks, gazing at glowing screens and punching keyboards.  Actual conversation with another human being, and eating food well-prepared by persons other than oneself can certainly put things in perspective.

Also — this, guy in particular?  Especially great to hang out with.  Just sayin’.

Final note: Have you been watching The Expanse?  You should be watching The Expanse.  Also reading the books.

 


Oct 27 2010

Catherynne M. Valente and Amal El-Mohtar reading “Damascus Divides the Lovers by Zero”

Rosemary

No, don’t just jump ahead and click on the video! Read this first:

As I mentioned in the comments the other day, the first time I’d encountered Catherynne M. Valente’s work was at a poetry reading at Readercon, 2009.

I try to catch at least part of the poetry “slan” (as Readercon calls it) every time I go to Readercon. I always hear something I enjoy. But this time I was totally blown away, and brought to tears, by “Damascus Divides the Lovers by Zero.”

Later, in the dealer’s room, I bought a copy of the 2008 Rhysling Anthology 2009 Rhysling Anthology, which had the poem in it, hoping I could get the poem autographed…

Later still, I discovered myself seated right beside Valente at our joint autographing session!

I did get her autograph, but El-Mohtar, alas, had left the convention. But I also bought from Valente a copy of Palimpsest.

Then other day, while looking up the exact spelling of Amal El-Mohtar’s name on the internet, I came across a YouTube video of that very reading.

I watched it, but I noticed something: the video failed to recapture my experience.

I fear that the problem is that the person who made the recording had not as good a seat as I had, and the words are not always clearly audible. It makes a difference.

Solution: Keep the text beside you as you watch the video!

So, I found the text online here: Lone Star Stories: Damascus Divides the Lovers by Zero by Amal El-Mohtar and Catherynne M. Valente. I suggest that you open in it a separate window, make that window half your screen, and put the video on the other half; then you can watch and read along… (Alternatively, print out the text.)

Last point: as I recall from the introduction they gave the reading, Valente and El-Mohtar had each independently written poems about Damascus (by intent or accident, I can’t recall which), and when they compared them, found that they paralleled each other, and fit together beautifully; and so they wove them into one poem for two voices.

Ready?

Okay… now run the video.

The poem:

Lone Star Stories: Damascus Divides the Lovers by Zero by Amal El-Mohtar and Catherynne M. Valente.