Rosemary Kirstein

Astonished to see that my last post was in January!  Well.

I’ve been rather occupied with A Number of Things (nothing dire, I assure you), requiring my attention.  Including writing projects (but no particular completion date to report, as of yet).

But what propelled me to emerge briefly was to report that Laurie J. Marks, my pal and fellow member of the Fabulous Genrettes , has just released an ebook: Dancing Jack.

Yes, Laurie is re-releasing some of her earlier, out-of-print works as ebooks (as all wise authors do these days).  This one was originally published in 1993, well predating her acclaimed Elemental Logic series.   But when you read it, you’re going to see some conceptual links to the recent series.

Laurie’s take on magic is very different from what you’ll generally find in modern fantasy.  Most authors treat magic as if it were either a technology that you can operate with the right objects and commands; or as a source of power that you can use to enact your will upon the world.

But even in this early work, Laurie’s magic is more like a natural phenomenon, like gravity, the ocean currents, or the weather.  It’s always there, in the background, doing what comes naturally to it  —  and not so much operated by you as operating on you.

Oh, and this book has steamboats.  I like steamboats.

And a dog.

So, I thought I’d let you know (or remind you if you already knew), that the ebook is available starting today.  (Not just from Amazon, but also iBooks, Kobo, and Smashwords.)

Other people who are not me:

Max Gladstone (who, you may recall, wrote a really interesting analysis of The Steerswoman last year) has a new book in the universe of the Craft Sequence.

Dead Country  starts off  a trilogy (The Craft Wars), and from the preview available, it looks like Tara Abernathy, extraordinary Craftswoman, is back, which makes  me happy.

If you haven’t read the Craft Sequence (or like me, you’ve only read the first book Three Parts Dead), it’s easy to catch up.  There’s a Kindle collection of all five in one set.  (Which I just now went and bought. Really. Just now.)

Okay, it’s 2AM.  I have to get out of here… I’m planning a Deep Dive on the current project, and I have to clear the decks tomorrow to make that possible.

I just read Max Gladstone’s short story, “Stop Motion,” on the Decameron Project’s Patreon page.  What a neat, eerie little tale!

The only other thing I’ve read of his is This is How You Lose the Time War, written in collaboration with Amal el-Mohtar — which of course, I loved (as I’ve mentioned previously). And I see that a couple of his ebooks are on sale for 2.99, so I’m grabbing one of those.

I’m a little behind in my New Decameron reading; Heather Rose Jones‘ contribution, “All is Silence”  is already up; and at some point today the next tale will pop up– By Robert Silverberg!  And it’s one I’ve never read before: “The Trouble With Sempoanga.”

Honestly, aren’t you tired of looking at Netflix?  Read something!

(Contribute if you choose to; but if not, it’s free to read.)

Yep; here it is: from Volume 6, The City in the Crags, Chapter One

Why from Volume 6 instead of Volume 5, you ask?

Because my Decameron contribution needed to be something never previously published — and that also applies to excerpts posted on blogs.  And while there are bits from Volume 5 that make good excerpts, and are reasonably comprehensible without the full story, and do not contain too many spoilers — well, I’ve posted most of ’em here. It’s my habit, when I do a live reading, to later share what I’ve read with people who were not able to attend the reading; and I do that by putting it here.

But although I have read the opening of The City in the Crags live before, I somehow never posted it.  Therefore: technically unpublished.

So, there it is, for your self-isolation diversion.

Oh, and don’t forget that Jo Walton has created lead-ins for each of the Decameron tales; and that the lead-in  is located at the end of the previous tale. So, you should read Leah Bobet’s story to hear the lead-in to mine; and read Jo Walton’s piece of Or As You Will to hear how she moves into Leah’s story, as well as the opening of the whole frame-story. And a the end of my bit today, you’ll find a lead-in for tomorrow’s tale: Max Gladstone’s “Stop Motion”…

Oh, just read ’em all.  You know you want to.

The Decameron Project.

No, not a new snack food — it’s the 2019 Nebula Award finalists, the list of which was recently released.

I’m sure you follow all sorts of SF/F websites or social media accounts, so you’ve certainly seen this list already, right?

Well. Just in case you missed it, here it is:

Novel

Marque of Caine, Charles E. Gannon (Baen)
The Ten Thousand Doors of January, Alix E. Harrow (Redhook; Orbit UK)
A Memory Called Empire, Arkady Martine (Tor)
Gods of Jade and Shadow, Silvia Moreno-Garcia (Del Rey; Jo Fletcher)
Gideon the Ninth, Tamsyn Muir (Tor.com Publishing)
A Song for a New Day, Sarah Pinsker (Berkley)

Novella

“Anxiety Is the Dizziness of Freedom”, Ted Chiang (Exhalation)
The Haunting of Tram Car 015, P. Dj’l Clark (Tor.com Publishing)
This Is How You Lose the Time War, Amal El-Mohtar & Max Gladstone (Saga)
Her Silhouette, Drawn in Water, Vylar Kaftan (Tor.com Publishing)
The Deep, Rivers Solomon, with Daveed Diggs, William Hutson & Jonathan Snipes (Saga)
Catfish Lullaby, A.C. Wise (Broken Eye)

Novelette

“A Strange Uncertain Light”, G.V. Anderson (F&SF 7-8/19)
“For He Can Creep”, Siobhan Carroll (Tor.com 7/10/19)
“His Footsteps, Through Darkness and Light”, Mimi Mondal (Tor.com 1/23/19)
“The Blur in the Corner of Your Eye”, Sarah Pinsker (Uncanny 7-8/19)
Carpe Glitter, Cat Rambo (Meerkat)
“The Archronology of Love”, Caroline M. Yoachim (Lightspeed 4/19)

Short Story

“Give the Family My Love”, A.T. Greenblatt (Clarkesworld 2/19)
“The Dead, In Their Uncontrollable Power”, Karen Osborne (Uncanny 3-4/19)
“And Now His Lordship Is Laughing”, Shiv Ramdas (Strange Horizons 9/9/19)
“Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island”, Nibedita Sen (Nightmare 5/19)
“A Catalog of Storms”, Fran Wilde (Uncanny 1-2/19)
“How the Trick Is Done”, A.C. Wise (Uncanny 7-8/19)

The Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book

Sal and Gabi Break the Universe, Carlos Hernandez (Disney Hyperion)
Catfishing on CatNet, Naomi Kritzer (Tor Teen)
Dragon Pearl, Yoon Ha Lee (Disney Hyperion)
Peasprout Chen: Battle of Champions, Henry Lien (Holt)
Cog, Greg van Eekhout (Harper)
Riverland, Fran Wilde (Amulet)

Game Writing

Outer Wilds, Kelsey Beachum (Mobius Digital)
The Outer Worlds, Leonard Boyarsky, Megan Starks, Kate Dollarhyde, Chris L’Etoile (Obsidian Entertainment)
The Magician’s Workshop, Kate Heartfield (Choice of Games)
Disco Elysium, Robert Kurvitz (ZA/UM)
Fate Accessibility Toolkit, Elsa Sjunneson-Henry (Evil Hat Productions)

The Ray Bradbury Award for Outstanding Dramatic Presentation

Avengers: Endgame, Christopher Markus & Stephen McFeely (Marvel Studios)
Captain Marvel, Anna Boden & Ryan Fleck & Geneva Robertson-Dworet (Marvel Studios)
Good Omens: “Hard Times”, Neil Gaiman (Amazon Studios/BBC Studios)
The Mandalorian: “The Child”, Jon Favreau (Disney+)
Russian Doll: “The Way Out”,Allison Silverman and Leslye Headland (Netflix)
Watchmen: “A God Walks into Abar”, Jeff Jensen & Damon Lindelof (HBO)

I have, alas, read very view of the fiction entries.  One reason: when I’m trying intensively to write something of my own, it’s very difficult for me to immerse myself in someone else’s imagined world… And I’ve been trying pretty damn hard for most of this year.

On and off, that is.  So I have managed to read at least a couple of the items on the list.  Specifically:

This is How You Lose the Time War, by Max Gladstone and Amal El-Mohtar, which I dearly loved (as I mentioned previously), and

“Anxiety Is the Dizziness of Freedom”,  from Ted Chiang’s collection, Exhalation. Chiang is a favorite of mine, and I generally root for him in any list.  But this time he’s right up against Gladstone and El-Mohtar in the novella category —  so I’m torn.

Of course, as a card-carrying SFWA member, I get to vote for the award, and there’s plenty of opportunity for me to catch up on (at least)  the shorter fiction before the deadline. Quite possibly one of the other finalists for novella will impress me even more!

But, looking through this list, I do notice an interesting trend: an outsized proportion of the nominees were published in either Tor.com or Uncanny magazine.

Tor.com is a website. You can read their fiction for free.

Uncanny has no physical existence, and is an ebook magazine subscription — but you can also read it for free on their website (if partly delayed so that subscribers see it all first).

That is such a very interesting phenomenon.

I gotta say: the first thing I did on realizing this was to hop over and subscribe to Uncanny.  Obviously, it’s where the cool kids are hanging out these days.

Speaking of cool kids hanging out:

The winsome Geary Gravel.

I had a lovely evening in Northampton MA, sharing dinner with fellow author Geary Gravel, at our favorite Indian restaurant.  Geary is himself neck-deep in projects, both enjoyable and frustrating…  I’ll say no more about which ones are which! Anyway, time spent with Geary is always delightful — in the way that talking with another writer who knows exactly what you’re going through and can offer a) insight, b) commiseration and/or c) righteous indignation can only be.  We writers spend an awful lot of time hunched over desks, gazing at glowing screens and punching keyboards.  Actual conversation with another human being, and eating food well-prepared by persons other than oneself can certainly put things in perspective.

Also — this, guy in particular?  Especially great to hang out with.  Just sayin’.

Final note: Have you been watching The Expanse?  You should be watching The Expanse.  Also reading the books.